Play Stuff Blog

The Strong’s historians, curators, librarians, and other staff offer insights into and anecdotes about the critical role of play in human development and the ways in which toys, dolls, games, and video games reflect cultural history. Learn even more about the museum’s archival materials, books, catalogs, and other ephemera through its Tumblr page.

Diving into D&D

Assorted Dungeons & Dragons artifacts (I) The novel I’m writing involves, in part, a group of friends who reunite after 25 years to restart their old game of Dungeons & Dragons. That game has been close to my heart since 1978 or so when I received my first boxed set as a gift. I’ll never forget the sense of wonder I felt rolling those exotic polyhedral dice and creating my first character. During my amazing week as a Mary Valentine and Andrew Cosman Research Fellow at The Strong, I was able to dig deeply into the origins of D&D and gain a rich understanding of what makes it so enduring.

Back before we had blogs or even pencils and paper, humans told each other stories in caves and around the cooking fires. Epic poets would recite their tales from memory and for hours at a time, and these tales would be retold and embellished in much the same way the fish I caught a few summers ago has grown progressively larger every year since. That’s how stories work.

Along the way, we found ways to record our stories (for instance, on clay tablets and papyrus) and eventually to mass-produce them (such as in printed books and on Atari cartridges). As a novelist and author in this day and age, I write stories that are easily reproducible in book form—and yet I remain fascinated by the pre-literary forms of storytelling and by the ancient traditions of performed stories.

What on earth does this have to do with Dungeons & Dragons?

There are countless things I love about the game, from the creativity it requires and inspires, to the time it provides away from my electronic devices. But the most vital thing about D&D to me, which I hope to make clear in my novel, is that with a great session provides a unique method of collaborative storytelling. I don’t know of another activity that so effectively brings us back to those ancient days of epic oral storytelling.

Dungeons & Dragons Supplement I: Greyhawk At The Strong, I was able see how the game derived from a 1971 game called Chainmail, a set of “rules for medieval miniatures” by Gary Gygax and Jeff Perren. Taking inspiration from the oeuvre of J. R. R. Tolkien, Gygax’s friend Dave Arneson adapted Chainmail for a fantasy setting and the two of them collaborated on a set of rules for Dungeons & Dragons. The emphasis changed from moving armies across a tabletop to role playing individual characters instead.

In The Strong’s Brian Sutton-Smith Library and Archives of Play, I was able to read vintage issues of gaming periodicals like The Dragon, The Dungeoneer, and Alarums and Excursions and with them follow the monthly progression of the game from subculture to the commercial phenomenon it is (again) today. The archival documents I consulted included old hand-drawn maps and even Allan Hammack’s handwritten first draft of what became “Ghost Tower of Inverness,” one beloved of all the D&D adventure modules.

Assorted Dungeons & Dragons artifacts (II) The opportunity to hold a pristine copy of the very first D&D boxed set in my hands was one of the highlights of my fellowship. In fact, sitting in the library one morning, I pulled a set of dice from my bag and rolled a new character from scratch using those early, simple rules. Back then, a character could fit on an index card.

To create a character in Dungeons & Dragons isn’t all that different from creating one in a novel. In fact, if my week at The Strong taught me anything, it’s that my life as a writer may very have begun with my first boxed set as a kid, and with my first set of colorful dice. (It would be amiss if I didn’t also cite the importance of Star Wars figures too.) The lesson here, for me, is that the games we play as children may very well make us who we are as so-called grown-ups.

I also discovered that the success of The Strong’s mission can be most clearly witnessed, I think, at the museum’s exit. That’s where the visiting children scream and bellow at the prospect of leaving such a remarkable place. It’s quite a racket. At the end of my fellowship, not quite ready to return home to Philadelphia, I understood exactly how all those children feel.

Oh Brother! Oh Sister!

Mothers get their day in May. Fathers are feted in June. And what about sisters and brothers? Their turn comes on April 10—Siblings Day. Siblings Day hasn’t earned recognition as a federal holiday (yet), but since 1998, governors have proclaimed Siblings Day in 49 states. From experience and observation, I know that sibling relationships can take any number of different configurations. And that made me think about the famous siblings that come readily to mind from the world of toys, dolls, and games.

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Postwar Plastic Playthings: Affordability, Resources and Military Surplus

I first became interested in the increase of plastic in children’s toys through my own daughter’s toys, especially since my undergrad degree was in Environment and Health, with a fourth year focus on Bisphenol A (also known as BPA) in baby bottles. Throughout my Masters studies, I focused on the central question of why we keep what we do, how we make those decisions, and the ways in which we’ve come to value or devalue certain things.

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Playing with Puppies

We have all heard the saying that a dog is man’s (and woman’s too) best friend. We love dogs so much that they even have their own special day—National Puppy Day! Canine companionship has been around for eons and extends from pets to working dogs. Whether they are snuggle buddies, sled pullers, or law enforcement assistants, dogs play a significant role in our society and in our hearts. So it should be no surprise that their popularity also carries over into children’s literature and playthings.

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Play for All Seasons

I receive a lot of strange looks whenever I tell people that I look forward to the end of summer. Perhaps your face has morphed into such an expression after reading that. But there is logic behind my claim.

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Rolling Out the First Driving Game

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"True Hollywood” Toy Stories: Tales of the Games and Toys We Love

When I was an undergraduate, I was obsessed with the television program E! True Hollywood Story. Each week, I took a salacious rollercoaster ride through the ups and downs of a celebrity’s life. Right before each commercial break, the narrator assured me that either the star was about to be saved from his downward spiral or that her glory days were going to come to a screeching halt. I loved the drama and the “truth is stranger than fiction” element of the program.

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The Strong Launches Women in Games Initiative

For many decades, women have played key roles in the design, production, manufacture, marketing, and writing of video games, and yet their history in the gaming industry is too little preserved and too often underappreciated.

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“Down at Fraggle Rock!”

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Fun at the Drive-In

My favorite artifact in

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But We Play It Like This: House Rules for Games

Here’s a fun experiment: suggest playing a game of Monopoly and predict the responses you’ll receive. More often than not, you’ll be hit with an audible groan and the familiar refrain of “Has anyone ever actually finished a game of Monopoly?” Admittedly, I used to be anti-Monopoly myself.

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